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The night of the long knives is portrayed in one of the most decadent scenes in film history “The damned” is the first film of Visconti’s German trilogy. The others are “Death in Venice” (1971) and “Ludwig” (1973).
The theme of “The damned” has much in common with “Il Gattopardo” (1963, Luchino Visconti). In both films the old elite enters into a coalition with a new elite to preserve his position.
There are some differences also. The new elite in “Il Gattopardo” is the old elite in “The damned” (industrialists and traders). In “Il Gattopardo” the conflict between values and pragmatism rages in one person (Prince Don Fabrizio Salina). In “The damned” this conflict divides the members of the family Von Essenbeck.
Last but not least the new elite with which the family Von Essenbeck is dealing (Nazi’s) is much more dangerous and destructive then the new elite in “Il Gattopardo”. In one of the most decadent scenes in film history the division inside the Von Essenbeck family concides with the purge in which the SS (Schutzstaffel) eliminates the SA (Sturmabteiling) within Nazi Germany (Night of the long knives).
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